Archive
Dangerous Minds | The New Yorker
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Why We’re Underestimating American Collapse – Eudaimonia and Co
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Re:Interview #003: Live Cinema — Language and Elements | Mia Makela | CONT3XT.NET
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How Brian Eno Created "Ambient 1: Music For Airports"
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Whoops! - McSweeney’s Internet Tendency
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The Moods of Ernest Hemingway | The New Yorker
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The Pink House | The New Yorker
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Solene'% : Why I stopped using OpenBSD
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Move Always Toward a Deepening Obscurity | Online Only | n+1
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Craig Mod on the Creative Power of Walking ‹ Literary Hub
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Miami Vice’s Journey From Misfire to Masterpiece
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How To Write A Novel Using The Snowflake Method
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Electric Bike, Stupid Love of My Life — by Craig Mod
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Who Is the Bad Art Friend? - The New York Times
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In and Of the World: The Textures of Michael’s Mann’s "Heat" on Notebook | MUBI
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The Life and Death of Hollywood, by Daniel Bessner
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A Tiny Feast | The New Yorker
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Futureproofing #9: Lawrence English on 25 years of Room40
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“The Grow-Light Blues” | The New Yorker
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Amendments to the Pub Crawl - McSweeney’s Internet Tendency
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LEONARDO DA VINCI
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The Healing Power of Code — by Craig Mod
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The Sure Thing | The New Yorker
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Why Comment Sections suck - re:I want to comment on your blog post | Kami's Corner
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how to do nothing.
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Musician and composer William Basinski on doing the work – The Creative Independent
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“The Republic of Bad Taste” | The New Yorker
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MFA vs. NYC: America now has two distinct literary cultures. Which one will last?
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Filmmaker Zia Anger on learning to trust your intuition – The Creative Independent
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The Collapse of Self-Worth in the Digital Age | The Walrus
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org-mode In Your Pocket Is a GNU-Shaped Devil - Mike Hall - Jack Baty
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The Unprotected Life | The New Yorker
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Creativity guru Julia Cameron on writing for guidance – The Creative Independent
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Exclusive: David Mitchell's Twitter Story "The Right Sort" Collected - The Millions
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Apple Cake | The New Yorker
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Susan Sontag, the Hunger Artist | The New Yorker
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Rejoice! Believe! Be Strong and Read Hard! - Believer Magazine
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Stephen King's "Everything You Need to Know About Writing Successfully – in Ten Minutes"
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It's So Sad When Old People Romanticize Their Heydays, Also the 90s Were Objectively the Best Time to Be Alive
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The Ghosts in the Machine, by Liz Pelly
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Farther Away | The New Yorker
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Substack Has a Nazi Problem - The Atlantic
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